Please use this identifier to cite or link to this item: http://hdl.handle.net/123456789/26165
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dc.contributor.authorDutchak, Violetta-
dc.contributor.authorKaras, Ganna-
dc.contributor.authorKukuruza, Nadiia-
dc.contributor.authorДутчак, Віолетта Григорівна-
dc.contributor.authorКарась, Ганна Василівна-
dc.contributor.authorКукуруза, Надія Вікторівна-
dc.date.accessioned2026-09-02T06:42:36Z-
dc.date.available2026-09-02T06:42:36Z-
dc.date.issued2023-
dc.identifier.citationDutchak V., Karas H., Kukuruza N. MELODECLAMATION AS A S ICAL GENRE: UKRAINIAN SPECIFICITY OF EXISTENCE. AD ALTA: Journal of Interdisciplinary Research, 2023, 13/01-XXXII. Р. 33–39.uk_UA
dc.identifier.urihttp://hdl.handle.net/123456789/26165-
dc.description.abstractThe study offers a historical and performance analysis of the melodeclamation genre in Ukrainian culture. Chronological, terminological, cultural and artistic aspects of the origin and essence of the genre in the European context, its influence on the formation of literature, music, and theater are determined. The specifics of the practical spread of the genre in Ukrainian culture in the folk-instrumental (Kobzar-lyre), stage music-theatrical (artistic word in synthesis with music), pop and popular spheres are analyzed. The most striking examples of the representation of the genre in the works of composers of Ukraine and the Ukrainian Diaspora of the 20th – early 21st centuries are singled out.uk_UA
dc.language.isoenuk_UA
dc.subjectmelodeclamationuk_UA
dc.subjectrecitativeuk_UA
dc.subjectinteraction of musicuk_UA
dc.subjecttheater and literatureuk_UA
dc.subjectgenre features of melodeclamationuk_UA
dc.subjectforms of melodeclamationuk_UA
dc.subjectworks of Ukrainian composersuk_UA
dc.subjectmusical and theatrical culture of Ukraine and the Ukrainian Diasporauk_UA
dc.titleMelodeclamation as a synthesized musical and theatrical genre: ukrainian specificity of existenceuk_UA
dc.typeArticleuk_UA
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